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| ; Jose Cheo Feliciano (Photo: Code Music Group) |
(and I will do a lot Master case).
Like many music critics and scholars have produced several versions of the sauce (Gregorian, Matanzas, erotic, fiction, etc), I dare say here, also publicly, that Brutus fell on several occasions that I venture to call demagogic sauce.
Yes, demagogic. Because there are few more letters farsantonas, as would my friend Marco Tulio-guaracha that have been written by Tite Curet Alonso: burials, including disk Prints 1979.
Yes, I again get the card ... aha, here it is: estupendísimo Catalino was a composer, Puerto Rican soul of Caribbean music, great in the verse and meter, but sometimes demagogue and a whiff of disturbing social resentment. The salsa, ladies and gentlemen, is to listen and dance to welcome many stories, to expose and send complaints to love or to send someone to hell.
Not for demagogues like this:
Yes, demagogic. Because there are few more letters farsantonas, as would my friend Marco Tulio-guaracha that have been written by Tite Curet Alonso: burials, including disk Prints 1979.
Yes, I again get the card ... aha, here it is: estupendísimo Catalino was a composer, Puerto Rican soul of Caribbean music, great in the verse and meter, but sometimes demagogue and a whiff of disturbing social resentment. The salsa, ladies and gentlemen, is to listen and dance to welcome many stories, to expose and send complaints to love or to send someone to hell.
Not for demagogues like this:
At funerals of my poor poor
are paper flowers, the tears are real
's not like other funerals of life
Where crying is a lie and there are many natural flower.
perfume What else felt tears
identifying people suffering
morning because the flowers wilt
And the graveyard is a forgotten indifferent .
My poor people always come back to the cemetery
Planting a flower of love and tears will
Poppies the true love
are the highest honor of my people in the slums.
At funerals of my poor poor
cries When it feels real.
Let's see, dear Brutus, the rich also cry with feeling, because it is inherently human. Those who mourn are lying hypocrites and liars, and those are found in all social circles. At all. I understand that there was a historical debt to poor people in Latin America, which were set aside for many years, there is an exclusion that should be minimized, and is being done with success in several countries, that there lies behind the glitter, but that does not give rise to fall into this nonsense as ensuring "that some like you have come to do-that be marginal is good, the favelas and ranches are the ideal of life and that having money is shit. That phrase has been repeatedly made absurd worldwide, but especially in the poorest countries with results well known.
And I will not draw .
And I will not draw .
Let's see, Cheo admired: maybe you wanted to change that image crooner that advertise during the mid 70's, handing out red roses concerts and taking positions a bit corny, that had little to do with the expression salsosa that was developing. Or you've been influenced by the smash hit that won Rubén Blades singing these songs with social issues and wanted to follow that course.
But watch out, Reuben is a journalist and only tells what he sees: sets out the pros and cons of his characters, and that everyone draw their own conclusions. Cheo songs he chose, instead, are a tribute to the more rampant populism. Because timeout, which talks about the end of the harvest ends up as a charge to the owner of the sugar fields, for leaving people hungry when no longer had to pick up the cane. A loose sentence montuno things like on behalf of the law stop eating. Public
anyone can explain me please?
Desahogo addition is a full chorus which says, so no complex: I have no house and killed by other houses, with the populism that in Juan Feliciano then used Mason, included in his album Feeling You .
The disc also has some boleros solvents but not outstanding, and a song, I So, it ends up being the best of the mediocre and bad aging production, despite have benefited from arrangements by Marty Sheller, and Louie Ramirez Pappo Lucca. Why? Because the songs are fragile, do not have a powerful rhythm section and sound, oh, paradoxical, too sophisticated for demagoguery they are transporting.
Prints is one such example, the Christian sauce is another of them, that define a salsosa expression that was emerging from its axis, missing the alleys outside away from their primary condition: to chronicle the neighborhood she was born and developed.
But watch out, Reuben is a journalist and only tells what he sees: sets out the pros and cons of his characters, and that everyone draw their own conclusions. Cheo songs he chose, instead, are a tribute to the more rampant populism. Because timeout, which talks about the end of the harvest ends up as a charge to the owner of the sugar fields, for leaving people hungry when no longer had to pick up the cane. A loose sentence montuno things like on behalf of the law stop eating. Public
anyone can explain me please?
Desahogo addition is a full chorus which says, so no complex: I have no house and killed by other houses, with the populism that in Juan Feliciano then used Mason, included in his album Feeling You .
The disc also has some boleros solvents but not outstanding, and a song, I So, it ends up being the best of the mediocre and bad aging production, despite have benefited from arrangements by Marty Sheller, and Louie Ramirez Pappo Lucca. Why? Because the songs are fragile, do not have a powerful rhythm section and sound, oh, paradoxical, too sophisticated for demagoguery they are transporting.
Prints is one such example, the Christian sauce is another of them, that define a salsosa expression that was emerging from its axis, missing the alleys outside away from their primary condition: to chronicle the neighborhood she was born and developed.
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