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not criticize me, this is my way of Kantar

The '73 Typical beginning.

In the last entry in this blog, speaking of Ray Barretto , said his band had undergone excision few months after recording Long live music. I forgot to say at that time, mea culpa, that the musicians had decided to form separate tent: the singer Adalberto Santiago, the drum Johnny Rodriguez Jr., Orestes Vilató drummer, bassist Dave And trumpeter René Pérez Lopez, had met with great pianist and arranger Sonny Bravo, the Italian trumpeter Joseph Mannozzi, the Dominican trombonist Leopoldo Pineda important (considered on par with Barry Rogers, which is little) and (later) the tres player Nelson González, to form one of the most innovative orchestras and freely about the entire New York Latin expression: the · Typical · '73. A band that decided to dive in Cuban wave, but not what I had dreamed since the 50 (and was being robbed, without major changes, Fania monopoly) but that he was enjoying at the moment on the island. .. despite however.

result? Great: a wonderful sound, highly polished, with a chorus afinadísimos as not heard since the days of the Palladium Ballroom, and some influences, as seen especially in its third album released in 1975: The candle come from the contemporary Cuba come from the fusion between jazz and son who were giving birth to the musicians of La Habana on those dates, come from Songo and, indeed, come and go hand in hand Los Van Van, one of those Cuban groups that came to be smarter than the Castro brothers and above the requirement of the scheme to create a new music "Left behind, well behind all this wonder of they are and that he had orchestrated guaguancó before his breakthrough in power, decided to merge different styles, all played modernize and create new melodies, even able to influence what was playing New York. Well
cool, then.
Of course, all that sound was adapted to the reality that prevailed salsosa, the trombone is the obvious example. Otherwise, their efforts have gone under the table.

From start to finish the album has good music. Canuto and Santeros are the continuation of sound Typical they had two years experience, but with Jamaican and sweeper's broom suggest that a different sound was seduced Areíto Wave. To the extent that, as a guest star appears cheek Angel Gonzalez playing iyá (the largest of the three bata drums), which serves almost as a declaration of intent for what we wanted to convey.

One of the wonderful themes of this album is not criticize me, a sort of shock-response-to-any-criticism-received-or-by-receiving-due-to-the-sound-different, a little hartitos who were them-and rightly so the little creativity I was beginning to feel the salsa boom of the second half of the 70:

not criticize me, this is my singing

this is my new is that everyone wants to dance.

I danced my grandparents once

and my mom with my dad.

not criticize me, this is my singing

this is my new is that everyone wants to dance.

When you dance you will feel no fatigue or pain

with we are.

not criticize me, this is my singing

this is my new is that everyone wants to dance.

With your partner as you dance and feel that there is no better

as my son.

critiques I this chant my

way

this my new are everyone wants dance.

When the party you think will take the montuno end

to guarachar.

Lacing these letters, that montuno hosts a powerful discharge of metals from trumpets and trombones. Of such caliber, that when you hear will make you repeat it: the trombone pour the rest into a single sovereign that makes the hair stand on end, while the chorus-a more-repeated insistence that a no matches Pineda, as if to say: not stop, keep going, please .
is a magical moment in the entire recording.

The closure is done with The candle , Juan Formell (director of Los Van Van), and that is where the new Cuban sound is expressed properly. The arrangement is tasty intelligent, with a touch of sophisticated jazz, solo Vilató pots that could literally wipe everything standing in the world, and a touch of brass band - modern , they would say in Cuba, which goes hand with the final expression reflected in this record, important as a clear example of the good things that were cooking from those in New York.


Sorry, guys, but the disc is not in Rhapsody or Spotify. You can listen to, thank goodness! During Grooveshark. (Something something)