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19 years without La Lupe

Very consistent with the character that enveloped the person, remember even the death of La Lupe is a thorny issue, as it should be leap years only. A fan would say, a bouquet of flowers in hand and way of Saint Raymond Cemetery Bronx, where he now resides that only Lupe Yoli Raymond imprecision could happen to die on February 29, the road to hammer event on the calendar when they realized that the years were six times more and had to be grouped and put them somewhere so that the shed is not out of position. The result, last but not least, appears to be another layer to the myth made frantic by the hosts, even without fully understanding the follow up idolizing the madness: she was so different, that even had a strange day to die and the street a decade later bear his name.

remember vividly how I felt when I received the news of his death. I did not cry, as if I cried when Celia Cruz died, 11 years later, but it was a sizable blow. First, because I was not expecting, the woman did not come yet at 60 -, then, because I realized with regret that no longer come to see her perform live, even in those churches where he sang loudly, or any sidewalk in New York with his cassettes of evangelical hymns now I flatly refuse to listen.
that day I realized that life can be a charade, a chain of absurdities that take you to the sudden fame, fill bullrings like Madison Square Garden or Carnegie Hall, to release three records a year on year 60 and get stuffed with fur coats on Tico Records offices to claim your little check daily $ 40 000 for royalties, and 10 years later to be reviled by the record label owner your contract, which only wanted a queen of music, and the queen was Celia, feeling apart from the music scene,
receiving just a few dollars for the rights to your recordings, see how you burn that was in New Jersey, the same that belonged to Rudolph Valentino, fall and be confined for many years to a wheelchair and live up to the death in practice poverty, spending days and nights in a small apartment in government the 575 East 140 Street Bronx. La Lupe was dying and to find out the hard life he lived in the 80's. One imagined that pleasure and enjoy that well deserved fame.
But ... How could he not be living a charade huge if you take it with an intensity of regular use? A La Lupe is remembered-and one often falls into this practice-by carajazos which gave the pianist while performing in the bar La Red de La Habana ... or the carajazos that gave their husbands. Or shoes barefoot childish gesture while acting in television . Or because he clapped his hands in the back, or gestures that was in the middle of singing or the clothes she was dismembered while facing the Montuno. Or the fabric that was put to combat sweat in the middle of the presentation and made him look like a candy. Or the way he squandered all the money he earned with his art. It was another
world.
La Lupe ended up being a show of herself. A show and a laugh for his crazy, or off-key comments when interviewed. Even Fidel Castro decided that his actions were inconsistent with the new Cuba that he wanted to implement and that is why I said in 1962 that best he left the island. He is remembered and known in Spain as it closes with a Puro Teatro of the films of Almodóvar. But few people know that an album recorded in Madrid in 1971, whose cover out the Plaza de Oriente. See you.
If one straw away all that keeps important, concludes that it was a misunderstood genius, that the best version of Fever is yours-sorry, Madonna and Peggy Lee, but it is well- that Celia could not afford a bolero like her, but she could face a guaracha itself as Celia, that his record was as broad as his claim to sing with soul, to make his voice vibrate your being each time you threw the stage. That falls into that special category where only access Billie Holiday, Elis Regina, Judy Garland and Edith Piaf.
Fortunately, in some sectors and modes her song came transparent and direct. There he died in obscurity because some people took care to remember, besides being a school for many drag queens, lost souls, like her, for wanting to be different.
And why not a day that does not sound any of their songs. Adding

six and evening peak (+1 GMT):
much of blah de La Lupe, but nothing I said what my favorite songs.
Here I released a small selection of my way course: Fever (version 1968), I asked, I'll tell you my life (So do not complain after) , the bad guy, how good boogaloo (groovy men) , and the Virgin wept East (temazo as few) , Any, Besito pa 'ti (two versions, 63 and 77, are great) , The save full (one of my favorites) , the bird (and live Venezuela, there ama!) , Once We Loved (ended in Inglés Means it's over, baby!) , Guajiro Cunagua, Menu goat (I can not help but smile when I hear it) , Pure Theatre, The tyrant, and Laughter final (in my opinion, his best bolero) .

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The Quincy Jones of salsa ... and friends

Louie Ramirez, and the laughter died

Much better known for his work as arranger and producer, Louie Ramírez · · was mostly a bred musician, capable of bringing a grupete of musicians in a recording studio and great things out of there without much effort. Although, of course, so many hours stuck in those caves was audible at times you miss: the black history what ranks as the creator of this variant romantic genre that dominated the 80's and was called erotic salsa, or salsa monga, which helped to destroy the wake hacked the determinant salsa production had generated in the previous decade.

But no more about this painful issue and concentrate on the good, in, for example, that record released in 1978 with a coterie of fellow musicians of the highest level: Louie Ramirez and his friends , album picks up part of what was brewing at the time and showing some nuances of what would become a salsa music years later. Not having a fixed band, however, be one of the most respected medium-used to have the last word in Fania regarding arrangements and orchestrations are concerned, "he
the luxury of putting together a good combo of musicians, among whom are counted Mauricio Smith on flute, bongos Nicky Marrero, Eddie Rivera bus, Guillermo Edgehill and Jose Santiago on bass, Johnny Rodríguez on congas, Ruben Maldonado on drums bata a singer Ismael Quintana on maracas, Sonny Bravo and Louie himself on the piano as well as the vibraphone, "Mike Collazo and Orestes Vilato in timbales, Angel Vasquez papo Sam Burtis on trombone, Ray Maldonado, and Tony Cofresi on the trumpets.

Each groove was sung by a musician in particular, stressing as the first item one of the most important songs of all men: Paula C, in which the well-known yet Rubén Blades unleash their creative and interpretive-as well as the expression of a hangover by buenamoza uppercase that lasted a few more songs. This issue included an array of violins in the same wavelength as Willie Colon was printing to productions of Hector Lavoe, violins carrying out more melodic than rhythmic role, so that the influences were perhaps closer to soul and disco music than their own charanga:

Paula C. with silence went unanswered

And I realized that night that it

never forget his love. Paula C.

the early morning darkness enveloped me in

And oddly enough made me see more clearly

What is love a woman.

And when you come back again that kiss thrilled me

And so I dreamed I sang

And trembling with tears and I heard you came back murmur

That I was all for you and nothing else. Paula C.

Today again the distance between the two

is the encouraging and inspiring me this song for you

To which I gave her love, Paula C.

A which gave me their love, Paula C.

Not to mention the game that closes the tune trumpet with a jazz flavor wonderful, musical power generated by an array of finely tuned Ramírez own virtuosity and interpretation by their friends . Camilo
Azuquita Argumédez opens the second track, A kiss life, become an old tango guaracha quite correctly, and Adalberto Santiago is responsible for interpreting the Borinquen guaguancó calls me one of those songs everyday to Puerto Rico wanted.
All right, then, until we came to Something, a song by the Beatles led the Latin kingdom and ending with a settlement discomusic showing one of the weaknesses of Louie: the belief that they can perform crossovers without that may be at risk of wandering deeply. And that he had already suffered A Different Shade of Black , an album that was charged to the capitoste Jerry Masucci in 1976, which mixed Latin rhythms with hard rhythms, and had been a resounding failure creative and commercial . But sometimes people insist ... and when a danzón, Because-The Beatles-well, somewhat better resolved, although far removed from the quality of the first tracks of the disc. Azuquita
reprises two themes: The poet cried, a renowned flamenco Angustias Manuel led the guaguancó intelligently, and when you came, one of those gag of romantic salsa whore I spoke earlier.
Anyway ...
The album, of course, is out of print. Louie was not a person who enjoyed the sweets of fame, and to the Retrievers of all this happy music that was made over thirty years is preferable to distribute the interpretations compiled in each of the artists who re-assemble the pieces in this album. But the record is there, can be found online at Grooveshark and, of course, is worth listening to.

Obviously, if Spotify is discontinued or Rhapsody.

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Tito Puente swings · The exciting Lupe sings. There ama!

Lupe Yoli Raymond, dressed (Photo : FERS)

This is not any disc. It is a great album. One of those wonderful conjunctions occur from time to time through the Chance well capitalized. Because we have to warn in advance that the first time · Tito Puente · heard this electrical phenomenon called • The Lupe · , when she was still participating in the group Mongo Santamaria said not to be all interested in his style. She called soul, but I called him shouting said drummer in 1972 to Rolling Stone magazine , referring to the groans that let go in the middle Mongo facing the stage while the drums. Then I heard one day one of their albums and was impressed. I thought I would try to work with it and see if I could develop .
Groovy, baby. Groovy.

was published in 1965 when Tito Puente swings · The exciting Lupe sings a collection of 12 tracks in different styles, with that big band sound, the Palladium 52 street was still open, which tried Bridge maintain against all odds, despite changing musical cycle was pointing what was later known as salsa. This variety of styles, one of the basic stamp album was also proof that this woman sings brilliantly what you put in front. Because La Lupe sounds great when backed by an orchestra and arrangements phenomenal. And because it is the style . All that pomp

looks almost decadent unusual power here. Guaracha that opens the album, All , is a statement of intent: the voice stream can overcome the orchestra more than a dozen musicians with some arrangements of trumpets and saxophones amazing. Below I do not cry anymore, Myrta Silva, a son montuno which has a cascade of love to which she added some phrases and exclamations in montuno: hears child, are you telling me you're going? Then grab the three rags and go. Good bye, babe! , marking one of its peculiarities more fun. The lyrics with double meaning are another house brands, such as Menelaus, who have low blood sugar . And a surprising version of the Tribute to Juan Vicente joropo the great Billo Frómeta , a nod to Caracas from the 50's was the most important carnivals of the Caribbean (until the then governor banned Diego Arria the mid- 70).

A Moorish bolero with mushrooms and all that ends in Cuban rumba, María Dolores (previously popularized by Sara Montiel), began the long love affair that had La Yi Yi Yi with flamenco, expressed in dozens of recordings of classics of the genre. With you bossanova demonstrates the growing influence of the Brazilian style, imposed by record companies when the source was blocked politically Cuban music, and a Yoruba chant, Elube Chango, also characteristic of his songbook.

But the issue that showed the true side of La Lupe, giving rise to idolatry he began to feel for her and helped produce twelve records in just over 5 years, was asked do you a gorgeous bolero Gabriel Luna de la Fuente and Fernando Mullens. The song, direct, good phrasing and groans from the verse and stanza marked a new direction for this style:

What I asked q ue not fair understanding
That knew that there and No other love life
As my love.
do not you say you could put your hands in
And though I wanted to steal the light for you
Could not be.
Today I ask you the stars and the sun
'm not a god
Like me give you my love
I have nothing.
Ask what I can give you
I do not care myself to you without condition.
But what I asked, t ú tell the world what you
That knew no other love in life
As my love.

eyewitnesses say that the dynamic between Tito Puente and La Lupe was not at all simple. Much less to record four albums they made together between 1965 and 1967, she had the ability to put the nerves to everyone in the recording studio, and none of the measurements was similar to the previous. Bridge kept scolding when he made strange noises, and she is twisty. me! he said. No wonder his style ensured that people liked her because she did what others wanted do but not because they are not free . Curiosa philosophy.

The point is that his triumphant arrival to music with this album that sold over 500 thousand copies in a few weeks, was one reason for the second half of the year 60. César Miguel Rondón said in the Book of the sauce on the scene with this big band singer approached the district , and his voice alone served as a bridge between a style that was expiring and define the sound of Latin music of the 70.

But really she just wanted to sing because I like soul. Cantaría in China provided the people have soul. There

ama!

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The EU accused of supporting child exploitation


The European Council adopted a protocol which provides privileges and free customs and tariff market access block to the textile industry of Uzbekistan , after the controversial visit of its president, Islam Karismov to Brussels last month. Human rights organizations are campaigning against the measure in a context where Western boycott Uzbek cotton ethical considerations, despite the European authorities reported several times that the textile industry uses cotton harvested by children forced to work. also argue that it is an encouragement, in fact, child labor, which violates human rights and other international laws.

humanitarian organizations for over a decade denounce child labor in the cotton industry, which has the approval State. Uzbekistan is the third largest cotton exporter, with sales of 850,000 tons per year. The sector generates over 1,000 million dollars year . over 90 percent of the harvest is done by hand and the authorities organized the mass labor to ensure compliance with quotas.

Schools, colleges and universities remain closed for months at harvest time with the consent of the education authorities. Families who refuse to send their children are intimidated, threatened with losing social benefits, the supply of gas, water, electricity. Minors frighten them with excluded from education. "One million children were mobilized" to work in the latest crop of cotton, said Jean-Paul Delmotte, representative of the United Nations Fund for Children (UNICEF) in Uzbekistan. Many of them are between 13 and 18, but "varies from one region to another and some may even be less" . It is known that up to seven young.

whole industry that exploits around a million children a year.

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not criticize me, this is my way of Kantar

The '73 Typical beginning.

In the last entry in this blog, speaking of Ray Barretto , said his band had undergone excision few months after recording Long live music. I forgot to say at that time, mea culpa, that the musicians had decided to form separate tent: the singer Adalberto Santiago, the drum Johnny Rodriguez Jr., Orestes Vilató drummer, bassist Dave And trumpeter René Pérez Lopez, had met with great pianist and arranger Sonny Bravo, the Italian trumpeter Joseph Mannozzi, the Dominican trombonist Leopoldo Pineda important (considered on par with Barry Rogers, which is little) and (later) the tres player Nelson González, to form one of the most innovative orchestras and freely about the entire New York Latin expression: the · Typical · '73. A band that decided to dive in Cuban wave, but not what I had dreamed since the 50 (and was being robbed, without major changes, Fania monopoly) but that he was enjoying at the moment on the island. .. despite however.

result? Great: a wonderful sound, highly polished, with a chorus afinadísimos as not heard since the days of the Palladium Ballroom, and some influences, as seen especially in its third album released in 1975: The candle come from the contemporary Cuba come from the fusion between jazz and son who were giving birth to the musicians of La Habana on those dates, come from Songo and, indeed, come and go hand in hand Los Van Van, one of those Cuban groups that came to be smarter than the Castro brothers and above the requirement of the scheme to create a new music "Left behind, well behind all this wonder of they are and that he had orchestrated guaguancó before his breakthrough in power, decided to merge different styles, all played modernize and create new melodies, even able to influence what was playing New York. Well
cool, then.
Of course, all that sound was adapted to the reality that prevailed salsosa, the trombone is the obvious example. Otherwise, their efforts have gone under the table.

From start to finish the album has good music. Canuto and Santeros are the continuation of sound Typical they had two years experience, but with Jamaican and sweeper's broom suggest that a different sound was seduced Areíto Wave. To the extent that, as a guest star appears cheek Angel Gonzalez playing iyá (the largest of the three bata drums), which serves almost as a declaration of intent for what we wanted to convey.

One of the wonderful themes of this album is not criticize me, a sort of shock-response-to-any-criticism-received-or-by-receiving-due-to-the-sound-different, a little hartitos who were them-and rightly so the little creativity I was beginning to feel the salsa boom of the second half of the 70:

not criticize me, this is my singing

this is my new is that everyone wants to dance.

I danced my grandparents once

and my mom with my dad.

not criticize me, this is my singing

this is my new is that everyone wants to dance.

When you dance you will feel no fatigue or pain

with we are.

not criticize me, this is my singing

this is my new is that everyone wants to dance.

With your partner as you dance and feel that there is no better

as my son.

critiques I this chant my

way

this my new are everyone wants dance.

When the party you think will take the montuno end

to guarachar.

Lacing these letters, that montuno hosts a powerful discharge of metals from trumpets and trombones. Of such caliber, that when you hear will make you repeat it: the trombone pour the rest into a single sovereign that makes the hair stand on end, while the chorus-a more-repeated insistence that a no matches Pineda, as if to say: not stop, keep going, please .
is a magical moment in the entire recording.

The closure is done with The candle , Juan Formell (director of Los Van Van), and that is where the new Cuban sound is expressed properly. The arrangement is tasty intelligent, with a touch of sophisticated jazz, solo Vilató pots that could literally wipe everything standing in the world, and a touch of brass band - modern , they would say in Cuba, which goes hand with the final expression reflected in this record, important as a clear example of the good things that were cooking from those in New York.


Sorry, guys, but the disc is not in Rhapsody or Spotify. You can listen to, thank goodness! During Grooveshark. (Something something)

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Long live folk music

Music is the art to express emotion

heart sincere feelings

why I say with great pride

But

music alive

No, not part of an anthem, although it seems. Guaguancó is a Cuban trumpeter who composed Roberto Rodriguez and opens one of the most cherished albums of the genre: Long live the music, the percussionist Ray Barretto · · . An album that marked a peak in expression salsosa produced in New York, for hosting the ticking sound that musical trends were swarming for several years in the New York music scene, and represents a milestone in this Nuyorican experimentation was carried out since the 50's. And not just for the opening track on the album, with great fanfare that honors all the music from the Caribbean basin and rises to almost plethoric states, but by a combination of some old Cuban son, bolero that always fits with taste and the great encouragement downloads called Cooking, one of the most delicious of jazz standards that have ever played.

In

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Over the years, Barretto had succeeded in building a well-oiled band composed of virtuous the likes of Orestes Vilató on timbales, Luis Cruz on bass, Roberto Rodriguez, Rene Lopez and Joseph Roman on trumpet, John Rodriguez on bongos and Adalberto Santiago great solo. Unfortunately, much of the band broke up shortly after this album released in 1972, so this recording also serves as the final witness. Besides the two issues mentioned included an excellent rendition of Bushes Bruca Arsenio Rodriguez, and a Yoruba chant, Alafia Cumay .

One of the main characteristics of this production is the orchestra's interpretive freedom. Barretto was a percussionist and so knew how important it was for many musicians to express themselves freely in the middle of Latin music. For that allows the family may give free rein to their feelings and makes the disc is almost like playing live. The only pans of the guaracha Vilató The ball is anthology, no doubt, and the choir live the music , that says our music will always live is premonitory years go by and all these songs and these downloads will stay fresh, relevant.

with an iron.

------

Barretto I must confess that I had left by the wayside by an old disgust. These setbacks that happen from time to time. A mid 90's, just as I was going deeper in their discography, while traveling in New York that I learned was to perform at the Blue Note in Greenwich, not missed a chance to see it. The man had completely outgrown the sauce and was then engaged in new group of jazz: New World Spirit, the concert was great, intimate but as much flavor.

finished playing when I met with him to greet and congratulate him on the presentation and in response, I got an acid and an answer contempt with bad manners. I do not remember exactly what I said, but sounded more or less a "middle and let me depart in peace." I do not know if it was that he had broken the fifth leather in the middle of a theme or one of his musicians had been discordant, or simply had a bad day, but his attitude led to a rejection that almost made me ignore their discs during years until a few days ago, I confess, when I run across with them, and come to the conclusion that musicians and artists that I admire most about it is better not to know, will not be ending their days being people bad, or downright idiots, that is, and not those demigods perfect you can imagine.

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Child Soldiers: The drama continues


is impossible to estimate accurately the number of child soldiers. There are tens of thousands in all regions of the world.The Alboan organizations, Amnesty International, Entreculturas Commitment Foundation, Save the Children and the Jesuit Refugee Service mobilize against the use of child soldiers to report serious human rights violations they are subjected daily children in many countries.

Thousands of child soldiers have been released from fighting forces, whether governmental or insurgent groups after the peace accords and demobilization and reintegration in Afghanistan, Burundi, Ivory Coast, Liberia, Republic Congo, southern Sudan and other countries. However, during these years have occurred, have resumed or intensified conflict in countries including Chad, Iraq, Central African Republic, Somalia and Sudan (Darfur), increasing in these places the recruitment of minors.

Children and young soldiers have been subjected to extreme , where some have witnessed the murder of their families or have been used as instruments to commit atrocities. Many have been victims of abuse, rape and other forms of forced sexuality, including "marriage" with the combatants in the case of girls. On numerous occasions have been drugged to overcome the fear of the opponent, used as cannon fodder, forced to carry out looting, rape or maul people.

The organizations call upon States that have not yet done so to ratify the Optional Protocol the Convention on the Rights of the Child sovereign participation of children in armed conflict. This is the tool most important legal protection for children in conflict.

The Protocol is an essential tool to ensure that children are not used in armed conflict. increases to 18 the minimum age for direct participation in hostilities , compared with the previous minimum age of 15 years in the Convention on the Rights of the child and the child. It also obliges States Parties to enforce strict rules where not met.

That no child under 18 is recruited or used in armed forces or armed groups , since association with armed forces deprives children of their rights and their childhood to be devastating physical and psychological impact that causes them .

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Our musiK always live Gonna get a demon Atomik and it's going to clean

Shortly before the takeoff of the boom evil of the sauce, when made and unmade the best and the worst of the genre, Willie Colon and Hector Lavoe published in 1973 a production that everyone thought would would be the last one together: I kill (if do not buy this LP) . The case was an open secret: the relationship between them was becoming very tense. After six years together and nearly a dozen hit records increased, the price of fame and other unforeseen tricks began to affect them. Willie was very tired that Hector came late to rehearsals, arriving late to concerts, late for all parties, was sunk into the nose, rather than locked in place in the world of heroin. And that, for a band with the full agenda of presentations, it was terrible. Columbus, meanwhile, did not escape a certain lack of control and personal problems, because neither was a darling.
Therefore, maintaining the One-piece puzzle was finding it a daunting task.

William Anthony and Hector John, when the procession was inside

I kill, however, seems a hard oblivious to what was cooking around, it has a freshness that pours out of each of the songs. The district and all its guapería is present, yet is reflected the appreciation of the simple life, almost bucolic offered the idea called Puerto Rico. Guajira see is just a tribute to the rural nature of the island (as spoken in My Jaragual , Ismael Rivera), a gentle life in the countryside with his conuco and birds. It remains curious that while Puerto Ricans who were in the United States yearned for the quiet West Indian, who lived in Borinquén
mocked her laughingly: for sample The peep from the Sonora Ponceña.

Song of the neighborhood is manifested in Lady Lola, which invites the husband of the above to hold the bembo (to shut the mouth, so), before you blow a cookie . And the growing influence of Brazilian music is accentuated in the Mary and so Vo, in which love and bachata song found fertile ground.
aside the veneer of nostalgia and picaresque, other songs are direct and an uppercut to the jaw of the listener. The unanimous critical acclaim including two great songs on this album: Calle Luna Calle Sol and The lucky day. The first, because it narrates the misadventures of two of the streets more "dangerous" of Old San Juan, when in fact they lived a much more pressing: that New York does not appear in the postal and where roguery was rampant. Second, because some have thought that this is a biographical testimony Lavoe, when in reality it is not. There will be one or two letters circulating in the shade of that bomb, but it is definitely the story of his life (because in reality his life was much worse) but to any Latino neighborhood struggling against adversity.
from all of the disk, moves me particularly Everything has its end, it is imbued with the atmosphere of those years unflattering Cold War, the Vietnam debacle, the imminent nuclear threat and the economic crisis product of War of Yom Kippur. It was no time to be optimistic:

Everything has its end, nothing lasts forever

We must remember that there is eternity.

As the pretty pink flower just wanted

And teach her beauty, and withered perish.

Everything has its end, nothing lasts forever

We must remember that there is eternity.

As the world champion gave his life to reach

And lose the dearest: in another mass.

This incredible-and prescient-guaracha that has so much flavor in their settlement account with a piano solo by Professor José Torres that requires repeated listening, given the quality of the keys. Torres was the one that supplanted Mark Dimond in the band, when Richie Bonilla took over management of the group and had decided to remove "most drug addicts" in that set. Over the years, Torres went on to become one of the keys of Willie's band, as well as José Mangual Jr. and Milton Cardona, superb percussionists.

few months after the release of this album the world of salsa received a devastating news: Willie Colon said I can not, until I arrive here, and dissolved the orchestra. This hard blow rocked the world of Latin music, but was missing most-used-by Fania Records to launch to stardom as a solo career of Hector Lavoe, gradually elevating the status of myth. Willie, meanwhile, decided to support the production of their new albums, while introduced in other areas and was steeped in experiments that culminated in the decisive duo did with Ruben Blades.
Nine years later, Hector and Willie recorded again together one last time. But everything was different.

"I leave without explaining many things about Willie, and more on Hector, I know. But there are still dozens of albums for review. Them where I will be slowly reeled stories. Be patient. :)
"Another issue: much has been said on the cover of Lo Mato , as" an example of roguery that lived in this niche-oriented music called salsa. "
is that some people are short of brain: the photo violent image management is pure, because he was The Bad and sold well liked. Just
view cover to check the game.

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Locking the "media" to Jose Luis on strike against the Banco de Santander

If you like it, feel free to copy and paste this article on your site, or spread it as you think best. Thanks.

owners information and curradísimo called The Beggar one point (essential) about who is behind access to information consumed by the subjects of the Kingdom of Spain:

There are several ways in which capital can control, manipulate, conditional on receiving an information society through the media. For example, with advertising contracts in an environment with impunity implied condition information, frequently sick maneuver companies such as El Corte Ingles.

One way that banks have to control what information is thanks to its position as holder of debt, the same blackmail submitting to political parties (that would be funny tomorrow The Country uncover damaging information for Booty, when hurry is pending Santander to renegotiate with its enormous debt to continue to exist).

But surely the most direct and obvious that it is big business to control information, to create in society that are statements of opinion favorable to their interests, the ownership of the media. Taking a quick look at the ownership structure of media comunicación se comprende rápidamente la homogeneidad ideológica de la sociedad, instalada en el pensamiento único. La diversidad se reduce a matices, a cuestiones secundarias.

Puedes seguir leyendo y no dejes de dar un vistazo al infográfico .

No es nuevo, pero no por ello menos necesario, recordar la necesidad de que la ciudadanía se dote de unos medios informativos propios, ajenos al capricho de los dueños/mercados y libres de toda coacción publicitaria. En el caso concreto de la prensa tradicional únicamente conozco los periódicos vascos Gara (bilingüe) y Berria (en euskera) como medios con la proyección suficiente como para considerar su significance, and whose advice to shareholders is made 100% by those citizens who once wanted to embark on the adventure of creating and maintaining an information medium to collect their information needs. Your time and money they cost them, but they are there.

But I want to focus today on that issue but to retake the case of the hunger strike José Luis Burgos held against arbitrariness and attempted fraud (with hints to be executed the next day 9) against the Bank Santander. The attempts made by several people put in contact with all media (mis) information from across the ideological spectrum have resulted in only program RNE Toni Garrido Own Affairs has collected the news broadcast an interview with the victim. The rest, nothing. Impossible to break the information blockade, censorship by omission to which the person is undergoing Jose Luis Burgos and his struggle against the Bank of Santander. Will say that the private media are free to publish what they consider the public interest and relegated to nothing things that they consider relevant. It would be possible to believe something like this if you were not sick of seeing as minutes of radio and television and newspaper and magazine pages "serious" are completed with nonsense such as "cold", "does heat "," snow "," rain "," twinkie describe how it has been fucking all night Somebody's niece, "the killer pinned a pen in the jugular repeatedly to the presence of his youngest son" .... and other sinsorgadas. Siqueira

civic revolution had a hole Icelandic significant in that "information of national interest", the less will be broadcast the one-person revolution against the Bank of Santander.

I make a special mention digital media Human Journalism (@ phumano) by José Luis Articles against the Bank of Santander and José Luis 1 - Banco de Santander 0 (third paper in preparation), a public platform ATTAC (@ attacespana) Letter of support to José Luis Burgos in his second hunger strike , and Tercerainformación3i (@ tercerainfo3i) Concentration in Barcelona in support of José Luis Burgos .

also very prominent mention to the tireless efforts as promoting the dissemination of the news and @ @ victormsmadrid LorenaCastro

We will not falter in our efforts to keep planting battle against this media blackout, and we are a few vegan ilusxs that with our few tools insist on promoting the event and help we can to José Luis Burgos.

Some links that chronicle the case (and forgive me if I forget you, or better, write it in the comments and I add):

Mercabanca, the Mecca of banking and corruption , personal blog of Jose Luis Burgos .

José Luis Burgos on strike , blog created by @ LorenaCastro to provide daily information on the case.

José Luis Burgos has decided to stand up to the dictatorship of capital for in Videos @ manolox alternative.

The vicissitudes of Jose Luis Burgos to Santander Bank and José Luis Burgos against Banco de Santander (and 2) @ Iturri by Peter.

José Luis Burgos struggling in the personal blog @ LorenaCastro.

José Luis Burgos: "Could not stay at home idly" , by @ rosamariaartal in the periscope.

De Jose Luis Jose Luis # joseluisenhuelga and Your freedom ends where the image of Santander, for whom many hugomabarca @ Abarca. Lesson

dignity, by @ esmolante in the beggar's eyes

The case of Jose Luis Burgos against by Banco Santander @ Reven333 on Right to Reply.

Letter to Booty. JL Burgos Solidarity with hunger strike by @ javierM on Flies in the soup.

José Luis Burgos Solidarity with hunger strike by @ wenmusic in 1m2.

Solidarity with Jose Luis Burgos by @ ketari in ketari blog.

Solidarity with Jose Luis Burgos by @ alwayscandy on A picture is worth a thousand words.

Solidarity with Jose Luis Burgos, on hunger strike by @ koldobika in Humanaika.

José Luis Burgos, by @ angelmcastells in punts of view

Prou embargaments: concentration of Banc Santander Davant by Joan Tarda member of Congress for Esquerra Republicana de Catalunya

and some others that I will gradually add to the list

Will you be?